05 July

"We philosophers"

Maine, July 5, 1837.

Here I am, settled since night before last with B---- , and living very singularly. He leads a bachelor's life in his paternal mansion, only a small part of which is occupied by a family who serve him. He provides his own break fast and supper, and occasionally his dinner; though this is oftener, I believe, taken at the hotel, or an eating-house, or with some of his relatives. I am his guest, and my presence makes no alteration in his way of life. Our fare, thus far, has consisted of bread, butter, and cheese, crackers, herrings, boiled eggs, coffee, milk, and claret wine. He has another inmate, in the person of a queer little Frenchman, who has his breakfast, tea, and lodging here, and finds his dinner elsewhere. Monsieur S---- does not appear to be more than twenty-one years old, a diminutive figure, with eyes askew, and otherwise of an ungainly physiognomy; he is ill-dressed also, in a coarse blue coat, thin cotton pantaloons, and unbrushed boots; altogether with as little of French coxcombry as can well be imagined, though with something of the monkey aspect inseparable from a little Frenchman. He is, nevertheless, an intelligent and well-informed man, apparently of extensive reading in his own language, a philosopher, B---- tells me, and an infidel. His insignificant personal appearance stands in the way of his success, and prevents him from receiving the respect which is really due to his talents and acquirements; wherefore he is bitterly dissatisfied with the country and its inhabitants, and often expresses his feelings to B---- (who has gained his confidence to a certain degree) in very strong terms.

Thus here are three characters, each with some thing out of the common way, living together some what like monks. B---- , our host, combines more high and admirable qualities, of that sort which make up a gentleman, than any other that I have met with. Polished, yet natural, frank, open, and straightforward, yet with a delicate feeling for the sensitiveness of his companions; of excellent temper and warm heart; well acquainted with the world, with a keen faculty of observation, which he has had many opportunities of exercising, and never varying from a code of honour and principle which is really nice and rigid in its way. There is a sort of philosophy developing itself in him which will not impossibly cause him to settle down in this or some other equally singular course of life. He seems almost to have made up his mind never to be married, which I wonder at; for he has strong affections, and is fond both of women and children.

The little Frenchman impresses me very strongly, too, so lonely as he is here, struggling against the world, with bitter feelings in his breast, and yet talking with the vivacity and gaiety of his nation; making this his home from darkness to daylight, and enjoying here what little domestic comfort and confidence there is for him; and then going about all the livelong day, teaching. French to blockheads who sneer at him, and returning at about ten 'o clock in the evening (for I was wrong in saying he supped here, he eats no supper) to his solitary room and bed. Before retiring, he goes to B----'s bedside, and, if he finds him awake, stands talking French, expressing his dislike of the Americans, "Je hais, je hais les Yankees!" thus giving vent to the stifled bitterness of the whole day. In the morning I hear him getting up early, at sunrise or before, humming to himself, scuffling about his chamber with his thick boots, and at last taking his departure for a solitary ramble till breakfast. Then he comes in, cheerful and vivacious enough, eats pretty heartily, and is off again, singing French chansons as he goes down the gravel-walk. The poor fellow has nobody to sympathize with him but B---- , and thus a singular connection is established between two utterly different characters.

Then here is myself, who am likewise a queer character in my way, and have come to spend a week or two with my friend of half a lifetime, the longest space, probably, that we are ever destined to spend together; for Fate seems preparing changes for both of us. My circumstances, at least, cannot long continue as they are and have been; and B , too, stands between high prosperity and utter ruin.

I think I should soon become strongly attached to our way of life, so independent and untroubled by the forms and restrictions of society. The house is very pleasantly situated, half a mile distant from where the town begins to be thickly settled, and on a swell of land, with the road running at a distance of fifty yards, and a grassy tract and a gravel-walk between. Beyond the road rolls the Kennebec, here two or three hundred yards wide. Putting my head out of the window, I can see it flowing steadily along straightway between wooded banks; but arriving nearly opposite the house, there is a large and level sand island in the middle of the stream; and just below the island the current is further interrupted by the works of the mill-dam, which is perhaps half finished, yet still in so rude a state that it looks as much like the ruins of a dam destroyed by the spring freshets as like the foundations of a dam yet to be. Irishmen and Canadians toil at work on it, and the echoes of their hammering and of the voices come across the river and up to this window. Then there is a sound of the wind among the trees round the house; and, when that is silent, the calm, full, distant voice of the river becomes audible. Looking downward thither, I see the rush of the current, and mark the different eddies, with here and there white specks or streaks of foam; and often a log comes floating on, glistening in the sun, as it rolls over among the eddies, having voyaged, for aught I know, hundreds of miles from the wild upper sources of the river, passing down, down, between lines of forest, and sometimes a rough clearing, till here it floats by cultivated banks, and will soon pass by the village. Sometimes a long raft of boards comes along, requiring the nicest skill in navigating it through the narrow passage left by the mill-dam. Chaises and waggons occasionally go over the road, the riders all giving a passing glance at the dam, or perhaps alighting to examine it more fully, and at last departing with ominous shakes of the head as to the result of the enterprise. My position is so far retired from the river and mill-dam, that, though the latter is really rather a scene, yet a sort of quiet seems to be diffused over the whole. Two or three times a day this quiet is broken by the sudden thunder from a quarry, where the workmen are blasting rocks; and a peal of thunder sounds strangely in such a green, sunny, and quiet landscape, with the blue sky brightening the river.

I have not seen much of the people. There have been, however, several incidents which amused me, though scarcely worth telling. A passionate tavernkeeper, quick as a flash of gunpowder, a nervous man, and showing in his demeanour, it seems, a consciousness of his infirmity of temper. I was a witness of a scuffle of his with a drunken guest. The tavernkeeper, after they were separated, raved like a madman, and in a tone of voice having a droily pathetic or lamentable sound mingled with its rage, as if he were lifting up his voice to weep. Then he jumped into a chaise which was standing by, whipped up the horse, and drove off rapidly, as if to give his fury vent in that way.

On the morning of the Fourth of July, two printer's apprentice-lads, nearly grown, dressed in jackets and very tight pantaloons of check, tight as their skins, so that they looked like harlequins or circus-clowns, yet appeared to think themselves in perfect propriety, with a very calm and quiet assurance of the admiration of the town. A common fellow, a carpenter, who, on the strength of political partisanship, asked B----'s assistance in cutting out great letters from play-bills in order to print "Martin Van Buren Forever" on a flag; but B---- refused. B---- seems to be considerably of a favourite with the lower orders, especially with the Irishmen and French Canadians, the latter accosting him in the street, and asking his assistance as an interpreter in making their bargains for work.

I meant to dine at the hotel with B---- to-day; but having returned to the house, leaving him to do some business in the village, I found myself unwilling to move when the dinner-hour approached, and therefore dined very well on bread, cheese, and eggs. Nothing of much interest takes place. We live very comfortably in our bachelor establishment on a cold shoulder of mutton, with ham and smoked beef and boiled eggs; and as to drinkables, we had both claret and brown sherry on the dinner-table to-day. Last evening we had a long literary and philosophical conversation with Monsieur S----. He is rather remarkably well-informed for a man of his age, and seems to have very just notions on ethics, &c., though damnably perverted as to religion. It is strange to hear philosophy of any sort from such a boyish figure.

"We philosophers," he is fond of saying, to distinguish himself and his brethren from the Christians. One of his oddities is, that, while steadfastly main taining an opinion that he is a very small and slow eater, and that we, in common with other Yankees, eat immensely and fast, he actually eats both faster and longer than we do, and devours, as B---- avers, more victuals than both of us together.

04 July

the church of Santa Maria Novella

July 4th [1858]

Yesterday forenoon we went to see the church of Santa Maria Novella. We found the piazza, on one side of which the church stands, encumbered with the amphitheatrical ranges of wooden seats that had been erected to accommodate the spectators of the chariot-races, at the recent Feast of St. John. The front of the church is composed of black and white marble, which, in the course of the five centuries that it has been built, has turned brown and yellow. On the right hand, as you approach, is a long colonnade of arches, extending on a line with the facade, and having a tomb beneath every arch. This colonnade forms one of the enclosing walls of a cloister. We found none of the front entrances open, but on our left, in a wall at right angles with the church, there was an open gateway, approaching... -which, we saw, within the four-sided colonnade, an enclosed green space of a cloister. This is what is called the Chiostro Verde, so named from the prevailing colour of the frescoes with which the walls beneath the arches are adorned.

This cloister is the reality of what I used to imagine when I saw the half-ruinous colonnades connected with English cathedrals, or endeavoured to trace out the lines along the broken wall of some old abbey. Not that this extant cloister, still perfect and in daily use for its original purposes, is nearly so beautiful as the crumbling ruin which has ceased to be trodden by monkish feet for more than three centuries. The cloister of Santa Maria has not the; seclusion that is desirable, being open, by its gateway, to the public square, and several of the neighbours, women as well as men, were loitering within its precincts. The convent, however, has another and larger cloister, which I suppose is kept free from interlopers. The Chiostro Verde is a walk round the four sides of a square, beneath an arched and groined roof. One side of the walk looks upon an enclosed green space with a fountain or a tomb (I forget which) in the centre; the other side is ornamented all along with a succession of ancient frescoes, representing subjects of Scripture history. In the days when the designs were more distinct than now, it must have been a very effective way for a monk to read Bible history, to see its personages and events thus passing visibly beside him in his morning and evening walks. Beneath the frescoes on one side of the cloistered walk, and along the low stone parapet that separates it from the grass-plat on the other, are inscriptions to the memory of the dead who are buried underneath the pavement. The most of these were modern, and recorded the names of persons of no particular note. Other monumental slabs were inlaid with the pavement itself. Two or three Dominican monks, belonging to the convent, passed in and out while we were there in their white habits.

After going round three sides, we came to the fourth, formed by the wall of the church, and heard the voice of a priest behind a curtain that fell down before a door. Lifting it aside, we went in, and found ourselves in the ancient chapter-house, a large interior formed by two great pointed arches crossing one another in a groined roof. The broad spaces of the walls were entirely covered with frescoes that are rich even now, and must have glowed with an inexpressible splendour, when fresh from the artists' hands, five hundred years ago. There is a long period, during which frescoes illuminate a church or a hall in a way that no other adornment can; when this epoch of brightness is past, they become the dreariest ghosts of perished magnificence... This chapter-house is the only part of the church that is now used for the purposes of public worship. There are several confessionals, and two chapels or shrines, each with its lighted tapers. A priest performed mass while we were there, and several persons, as usual, stepped in to do a little devotion, either praying on their own account, or uniting with the ceremony that was going forward. One man was followed by two little dogs, and in the midst of his prayers, as one of the dogs was inclined to stray about the church, he kept snapping his fingers to call him back. The cool, dusky refreshment of these holy places, affording such a refuge from the hot noon of the streets and piazzas, probably suggests devotional ideas to the people, and it may be, when they are praying, they feel a breath of Paradise fanning them. If we could only see any good effects in their daily life, we might deem it an excellent thing to be able to find incense and a prayer always ascending, to which every individual may join his own. I really wonder that the Catholics are not better men and women.

When we had looked at the old frescoes .... we emerged into the cloister again, and thence ventured into a passage which would have led us to the Chiostro Grande, where strangers, and especially ladies, have no right to go. It was a secluded corridor, very neatly kept, bordered with sepulchral monuments, and at the end appeared a vista of cypress trees, which indeed were but an illusory perspective, being painted in fresco. While we loitered along .... the sacristan appeared and offered to show us the church, and led us into the transept on the right of the high altar, and ushered us into the sacristy, where we found two artists copying some of Fra Angelico's pictures. These were painted on the three wooden leaves of a tryptich, and, as usual, were glorified with a great deal of gilding, so that they seemed to float in the brightness of a heavenly element. Solomon speaks of "apples of gold in pictures of silver." The pictures of Fra Angelico, and other artists of that age, are really pictures of gold; and it is wonderful to see how rich the effect, and how much delicate beauty is attained (by Fra Angelico at least) along with it. His miniature-heads appear to me much more successful than his larger ones. In a monkish point of view, however, the chief value of the tryptich of which I am speaking does not lie in the pictures, for they merely serve as the framework of some reliques, which are set all round the edges of the three leaves. They consist of little bits and fragments of bones, and of packages carefully tied up in silk, the contents of which are signified in Gothic letters appended to each parcel. The sacred vessels of the church are likewise kept in the sacristy...

Re-entering the transept, our guide showed us the chapel of the Strozzi family, which is accessible by a flight of steps from the floor of the church. The walls of this chapel are covered with frescoes by Orgagna, representing around the altar the Last Judgment, and on one of the walls heaven and the assembly of the blessed, and on the other, of course, hell. I can not speak as to the truth of the representation; but, at all events, it was purgatory to look at it...

We next passed into the choir, which occupies the extreme end of the church behind the great square mass of the high altar, and is surrounded with a double row of ancient oaken seats of venerable shape and carving. The choir is illuminated by a threefold Gothic window, full of richly-painted glass, worth all the frescoes that ever stained a wall or ceiling; but these walls, nevertheless, are adorned with frescoes by Ghirlandaio, and it is easy to see must once have made a magnificent appearance. I really was sensible of a sad and ghostly beauty in many of the figures; but all the bloom, the magic of the painter's touch, his topmost art, have long ago been rubbed off, the white plaster showing through the colours in spots, and even in large spaces. Any other sort of ruin acquires a beauty proper to its decay, and often superior to that of its pristine state ; but the ruin of a picture, especially of a fresco, is wholly unredeemed; and, moreover, it dies so slowly that many generations are likely to be saddened by it.

We next saw the famous picture of the Virgin by Cimabue, which was deemed a miracle in its day, ....and still brightens the sombre walls with the lustre of its gold ground. As to its artistic merits, it seems to me that the Babe Jesus has a certain air of state and dignity; but I could see no charm whatever in the broad-faced Virgin, and it would relieve my mind and rejoice my spirit if the picture were borne out of the church in another triumphal procession (like the one which brought it there), and reverently burnt. This should be the final honour paid to all human works that have served a good office in their day, for when their day is over, if still galvanised into false life, they do harm instead of good The interior of Santa Maria Novella is spacious and in the Gothic style, though differing from English churches of that order of architecture. It is not now kept open to the public, nor were any of the shrines and chapels, nor even the high altar itself, adorned and lighted for worship. The pictures that decorated the shrines along the side aisles have been removed, leaving bare, blank spaces of brickwork, very dreary and desolate to behold. This is almost worse than a black oil-painting or a faded fresco. The church was much injured by the French, and afterwards by the Austrians, both powers having quartered their troops within the holy precincts. Its old walls, however, are yet stalwart enough to outlast another set of frescoes, and to see the beginning and the end of a new school of painting as long-lived as Cimabue's. I should be sorry to have the church go to decay, because it was here that Boccaccio's dames and cavaliers encountered one another, and formed their plan of retreating into the country during the plague...

At the door we bought a string of beads, with a small crucifix appended, in memory of the place. The beads seem to be of a greyish, pear-shaped seed, and the seller assured us that they were the tears of St. Job. They were cheap, probably because Job shed so many tears in his lifetime.

It being still early in the day, we went to the Uffizi gallery, and after loitering a good while among the pictures, were so fortunate as to find the room of the bronzes open. The first object that attracted us was John of Bologna's Mercury, poising himself on tiptoe, and looking not merely buoyant enough to float, but as if he possessed more than the eagle's power of lofty flight. It seems a wonder that he did not absolutely fling himself into the air when the artist gave him the last touch. No bolder work was ever achieved ; nothing so full of life has been done since. I was much interested, too, in the original little wax model, two feet high, of Benvenuto Cellini's Perseus. The wax seems to be laid over a wooden framework, and is but roughly finished off...

In an adjoining room are innumerable specimens of Roman and Etruscan bronzes, great and small. A bronze Chimera did not strike me as very ingeniously conceived, the goat's head being merely an adjunct, growing ou of the back of the monster, without possessing any original and substantive share in its nature. The snake's head is at the end of the tail. The object most really interesting was a Roman eagle, the standard of the Twenty -fourth Legion, about the size of a blackbird.

booths on the Common

July 4th. [1838]

A very hot, bright, sunny day; town much thronged; booths on the Common, selling ginger bread, sugar-plums, and confectionery, spruce-beer, lemonade. Spirits forbidden, but probably sold stealthily. On the top of one of the booths a monkey, with a tail two or three feet long. He is fastened by a cord, which, getting tangled with the flag over the booth, he takes hold and tries to free it. He is the object of much attention from the crowd, and played with by the boys, who toss up gingerbread to him, while he nibbles and throws it down again. He reciprocates notice, of some kind or other, with all who notice him. There is a sort of gravity about him. A boy pulls his long tail, whereat he gives a slight squeak, and for the future elevates it as much as possible. Looking at the same booth by and by, I find that the poor monkey has been obliged to betake himself to the top of one of the wooden joists that stick up high above. There are boys, going about with molasses candy, almost melted down in the sun. Shows: a mammoth rat ; a collection of pirates, murderers, and the like, in wax. Constables in considerable number, parading about with their staves, sometimes conversing with each other, producing an effect by their presence, without having to interfere actively. One or two old salts, rather the worse for liquor : in general the people are very temperate. At evening the effect of things rather more picturesque; some of the booth-keepers knocking down the temporary structures, and putting the materials in waggons to carry away; other booths lighted up, and the lights gleaming through rents in the sail-cloth tops. The customers are rather riotous, calling loudly and whimsically for what they want; a young fellow and a girl coming arm in arm; two girls approaching the booth, and getting into conversation with the folks thereabout. Perchance a knock-down between two half-sober fellows in the crowd; a knock-down without a heavy blow, the receiver being scarcely able to keep his footing at any rate. Shoutings and hallooings, laughter, oaths, generally a good-natured tumult; and the constables use no severity, but interfere, if at all, in a friendly sort of way. I talk with one about the way in which the day has passed, and he bears testimony to the orderliness of the crowd, but suspects one booth of selling liquor, and relates one scuffle. There is a talkative and witty seller of gingerbread holding forth to the people from his cart, making himself quite a noted character by his readiness of remark and humour, and disposing of all his wares. Late in the evening, during the fire-works, people are consulting how they are to get home, many having long miles to walk: a father, with wife, and children, saying it will be twelve o clock before they reach home, the children being already tired to death. The moon beautifully dark-bright, not giving so white a light as sometimes. The girls all look beautiful and fairy-like in it, not exactly distinct, nor yet dim. The different characters of female countenances during the day, -- mirthful and mischievous, slyly humourous, stupid, looking genteel generally, but when they speak often betraying plebeianism by the tones of their voices. Two girls are very tired, one a pale thin, languid-looking creature; the other plump, rosy, rather overburdened with her own little body. Gingerbread figures in the shape of Jim Crow and other popularities.

In the old burial-ground, Charter Street, a slate gravestone, carved round the borders, to the memory of "Colonel John Hathorne, Esq.," who died in 1717. This was the witch-judge. The stone is sunk deep into the earth, and leans forward, and the grass grows very long around it; and, on account of the moss, it was rather difficult to make out the date. Other Hathornes lie buried in a range with him on either side. In a corner of the burial-ground, close under Dr. P----'s garden-fence, are the most ancient stones remaining in the grave-yard; moss-grown, deeply sunken. One to "Dr. John Swinnerton, Physician," in 1688; another to his wife. There, too, is the grave of Nathaniel Mather, the younger brother of Cotton, and mentioned in the "Magnolia" as a hard student, and of great promise. "An aged man at nineteen years," saith the grave-stone. It affected me deeply, when I had cleared away the grass from the half-buried stone, and read the name. An apple-tree or two hang over these old graves, and throw down the blighted fruit on Nathaniel Mather's grave, he blighted too. It gives strange ideas, to think how convenient to Dr. P----'s family this burial-ground is, the monuments standing almost within arm's reach of the side windows of the parlour, and there being a little gate from the back-yard through which we step forth upon those old graves aforesaid. And the tomb of the P---- family is right in front and close to the gate. It is now filled, the last being the refugee Tory, Colonel P---- and his wife. M. P----- has trained flowers over this tomb, on account of her friendly relations with Colonel P----.

It is not, I think, the most ancient families that have tombs, their ancestry for two or three generations having been reposited in the earth before such a luxury as a tomb was thought of. Men who founded families, and grew rich, a century or so ago, were probably the first.

There is a tomb of the Lyndes, with a slab of slate affixed to the brick masonry on one side, and carved with a coat of arms.

03 July

and mine is a healthy weariness

Boston, July 3rd, 1839.

I do not mean to imply that I am unhappy or discontented, for this is not the case. My life only is a burden in the same way that it is to every toilsome man; and mine is a healthy weariness, such as needs only a night's sleep to remove it. But from henceforth for ever I shall be entitled to call the sons of toil my brethren, and shall know how to sympathize with them, seeing that I likewise have risen at the dawn, and borne the fervour of the midday sun, nor turned my heavy footsteps homeward till eventide. Years hence, perhaps, the experience that my heart is acquiring now will flow out in truth and wisdom.

02 July

Michel Angelo's ancestral home

July 2nd [1858]

We set put yesterday morning to visit the Palazzo Buonarotti, Michel Angelo's ancestral home... It is in the Via Ghibellina, an ordinary-looking, three-story house, with broad-brimmed eaves, a stuccoed front, and two or three windows painted in fresco, besides the real ones. Down the street there is a glimpse of the hills outside of Florence. The sun shining heavily directly upon the front, we rang the door-bell, and then drew back into the shadow that fell from the opposite side of the street. After we had waited some time a man looked out from an upper window, and a woman from a lower one, and informed us that we could not be admitted now, nor for two or three months to come, the house being under repairs. It is a pity, for I wished to see Michel Angelo's sword and walking-stick and old slippers, and whatever other of his closest personalities are to be shown...

We passed into the Piazza, of the Grand Duke, and looked into the court of the Palazzo Vecchio, with its beautifully embossed pillars ; and seeing, just beyond the court, a staircase of broad and easy steps, we ascended it at a venture. Upward and upward we went, flight after flight of stairs, and through passages, till at last we found an official who ushered us into a large saloon. It was the Hall of Audience. Its heavily embossed ceiling, rich with tarnished gold, was a feature of antique magnificence, and the only one that it retained, the floor being paved with tiles and furniture scanty or none. There were, however, three cabinets standing against the walls, two of which contained very curious and exquisite carvings and cuttings in ivory; some of them in the Chinese style of hollow, concentric balls; others, really beautiful works of art : little crucifixes, statues, saintly and knightly, and cups enriched with delicate bas-reliefs. The custode pointed to a small figure of St. Sebastian, and also to a vase around which the reliefs seemed to assume life. Both these specimens, he said, were by Benvenuto Cellini, and there were many others that might well have been wrought by his famous hand. The third cabinet contained a great number and variety of crucifixes, chalices, and whatever other vessels are needed in altar service, exquisitely carved out of amber. They belong to the chapel of the palace, and into this holy closet we were now conducted. It is large enough to accomnodate comfortably perhaps thirty worshippers, and is quite covered with frescoes by Ghirlandaio in good preservation, and with remnants enough of gilding and bright colour to show how splendid the chapel must have been when the Medicean Grand Dukes used to pray here. The altar is still ready for ser vice, and I am not sure that some of the wax tapers were not burning; but Lorenzo the Magnificent was nowhere to be seen.

The custode now led us back through the Hall of Audience into a smaller room, hung with pictures chiefly of the Medici and their connections, among whom was one Carolina, an intelligent and pretty child, and Bianca Capella.

There was nothing else to show us except a very noble and most spacious saloon, lighted by two large windows at each end, coming down level with the floor, and by a row of windows on one side just beneath the cornice. A gilded framework divides the ceiling into squares, circles, and octagons, the compartments of which are filled with pictures in oil; and the walls are covered with immense frescoes, representing various battles and triumphs of the Florentines. Statues by Michel Angelo, John of Bologna, and Bandinello, as well historic as ideal, stand round the hall, and it is really a fit theatre for the historic scenes of a country to be acted in. It was built, moreover, with the idea of its being the council-hall of a free people; but our own little Faneuil, which was meant, in all simplicity, to be merely a spot where the townspeople should meet to choose their select-men, has served the world better in that respect. I wish I had more room to speak of this vast, dusky, historic hall.

01 July

our first dish of green pease

Saturday, July 1st. [1843]

We had our first dish of green pease (a very small one) yesterday. Every day for the last week has been tremendously hot; and our garden flourishes like Eden itself, only Adam could hardly have been doomed to contend with such a ferocious banditti of weeds.

it would be pleasant, even, to see little Tornado in one of her tantrums

Salem, July 1st, 1848

Ownest, How long is it since I heard from thee -- and what an eternity since thou didst go away! It seems at least as long as the whole time that we have been married. My heart calls for thee, very loudly, and thou comest not. And I want to hear our children's voices; it would be pleasant, even, to see little Tornado in one of her tantrums. She is a noble child. Kiss her and Bundlebreech for me, and talk to them about me, lest I be entirely forgotten.

If this had been a pleasant day, I should probably have gone to New York on Custom-House business; but it being thick and dismal, I shall give up the expedition, although it would have been a very favorable opportunity. I should have been back here on Wednesday morning; and as one of the intervening days is Sunday, and another the Fourth of July, only a single day of attendance at my office would have been lost. Best of all, it would have cost nothing.

Dora has a great deal of work to do; but she neglects nothing appertaining to my comfort. Aunty Ouisa has favored me with one cup of coffee, since thou wentest away, and with an occasional doughnut; but I think thy lectures on diet and regimen have produced a considerable effect.

Dearest, is thy absence so nearly over that we can now see light glimmering at the end of it? Is it half over? If not, I really do not see how I am to bear it. A month of non-existence is the utmost limit -- --

I am continually interrupted as I write, this being pay-day, and a very busy time. I don't know exactly what will be the amount of our fees; but I should think it would be about as good a month as the last. Thirty-five dollars, however, have already been drawn for our quarter's rent. If thou wantest any more money, as probably thou dost, write me how much, and I will send it. How much must I reserve to pay Rebecca's wages? Any surplus, I intend to ply in lessening Millet's bill.

Here comes somebody else.

Ownest wife,

I am the best, and truest, and lovingest husband that ever was, because thy goodness makes me so.

Mrs. Sophia A. Hawthorne,
West Newton, Mass.